书城公版Bunyan Characters
34551800000115

第115章 MR. BRISK(1)

"Be ye not unequally yoked."--Paul.

There were some severe precisians in John Bunyan's day who took the objection to the author of the Pilgrim's Progress that he sometimes laughed too loud.

"One may (I think) say, both he laughs and cries, May well be guessed at by his watery eyes.

Some things are of that nature as to make One's fancy chuckle while his heart doth ake.

When Jacob saw his Rachel with the sheep, At the same time he did both laugh and weep."

And even Dr. Cheever, in his excellent lectures on the Pilgrim's Progress, confesses that though the Second Part never ceases for a moment to tell the serious story of the Pilgrimage, at the same time, it sometimes becomes so merry as almost to pass over into absolute comedy. "There is one passage," says Cheever, "which for exquisite humour, quiet satire, and naturalness in the development of character is scarcely surpassed in the language. It is the account of the courtship between Mr. Brisk and Mercy which took place at the House Beautiful."

Now, the insertion of such an episode as that of Mr. Brisk into such a book as the Pilgrim's Progress is only yet another proof of the health, the strength, and the truth to nature of John Bunyan's mind. His was eminently an honest, straightforward, manly, English understanding. A smaller man would not have ventured on Mr. Brisk in such a book as the Pilgrim's Progress. But there is no affectation, there is no prudery, there is no superiority to nature in John Bunyan. He knew quite well that of the thousands of men and women who were reading his Pilgrim there was no subject, not even religion itself, that was taking up half so much of their thoughts as just love-****** and marriage. And, like the wise man and the true teacher he was, he here points out to all his readers how well true religion and the fullest satisfaction of the warmest and the most universal of human affections can be both harmonised and made mutually helpful. In Bunyan's day love was too much left to the playwrights, just as in our day it is too much left to the poets and the novelists. And thus it is that in too many instances affection and passion have taken full possession of the hearts and the lives of our young people before any moral or religious lesson on these all-important subjects has been given to them: any lesson such as John Bunyan so winningly and so beautifully gives here.

"This incident," says Thomas Scott, "is very properly introduced, and it is replete with instruction."

Now, Mr. Brisk, to begin with, was, so we are told, a young man of some breeding,--that is to say, he was a young man of some social position, some education, and of a certain good manner, at least on the surface. In David Scott's Illustrations Mr. Brisk stands before us a handsome and well-dressed young man of the period, with his well-belted doublet, his voluminous ruffles, his heavily-

studded cuffs, his small cane, his divided hair, and his delicate hand,--altogether answering excellently to his name, were it not for the dashed look of surprise with which he gets his answer, and, with what jauntiness he can at the moment command, takes his departure. "Mr. Brisk was a man of some breeding," says Bunyan, "and that pretended to religion; but a man that stuck very close to the world." That Mr. Brisk made any pretence to religion at any other time and in any other place is not said; only that he put on that pretence with his best clothes when he came once or twice or more to Mercy and offered love to her at the House Beautiful. The man with the least religion at other times, even the man with no pretence to religion at other times at all, will pretend to some religion when he is in love with a young woman of Mercy's mind.

And yet it would not be fair to say that it is all pretence even in such a man at such a time. Grant that a man is really in love;

then, since all love is of the nature of religion, for the time, the true lover is really on the borders of a truly religious life.

It may with perfect truth be said of all men when they first fall in love that they are, for the time, not very far away from the kingdom of heaven. For all love is good, so far as it goes. God is Love; and all love, in the long-run, has a touch of the divine nature in it. And for once, if never again, every man who is deeply in love has a far-off glimpse of the beauty of holiness, and a far-off taste of that ineffable sweetness of which the satisfied saints of God sing so ecstatically. But, in too many instances, a young man's love having been kindled only by the creature, and, never rising from her to his and her Creator, as a rule, it sooner or later burns low and at last burns out, and leaves nothing but embers and ashes in his once so ardent heart. Mr. Brisk's love-

****** might have ended in his becoming a pilgrim but for this fatal flaw in his heart, that even in his love-****** he stuck so fast to the world. It is almost incredible: you may well refuse to believe it--that any young man in love, and especially a young gentleman of Mr. Brisk's breeding, would approach his mistress with the question how much she could earn a day. As Mr. Brisk looks at Mercy's lap so full of hats and hosen and says it, I can see his natty cane beginning to lengthen itself out in his soft-skinned hand and to send out teeth like a muck-rake. Give Mr. Brisk another thirty years or so and he will be an ancient churl, raking to himself the sticks and the straws and the dust of the earth, neither looking up to nor regarding the celestial crown that is still offered to him in exchange for his instrument.

"Now, Mercy was of a fair countenance, and, therefore, all the more alluring." But her fair countenance was really no temptation to her. "Sit still, my daughter," said Naomi to Ruth in the Old Testament. And it was entirely Mercy's maidenly nature to sit still. Even before she had come to her full womanhood under Christiana's motherly care she would have been an example to Ruth.