书城公版The French Revolution
38537500000259

第259章

The famed and named go; the nameless, if they have an accuser. Necklace Lamotte's Husband is in these Prisons (she long since squelched on the London Pavements); but gets delivered. Gross de Morande, of the Courier de l'Europe, hobbles distractedly to and fro there: but they let him hobble out; on right nimble crutches;--his hour not being yet come. Advocate Maton de la Varenne, very weak in health, is snatched off from mother and kin; Tricolor Rossignol (journeyman goldsmith and scoundrel lately, a risen man now) remembers an old Pleading of Maton's! Jourgniac de Saint-Meard goes; the brisk frank soldier: he was in the Mutiny of Nancy, in that 'effervescent Regiment du Roi,'--on the wrong side. Saddest of all: Abbe Sicard goes; a Priest who could not take the Oath, but who could teach the Deaf and Dumb: in his Section one man, he says, had a grudge at him; one man, at the fit hour, launches an arrest against him; which hits. In the Arsenal quarter, there are dumb hearts ****** wail, with signs, with wild gestures; he their miraculous healer and speech-bringer is rapt away.

What with the arrestments on this night of the Twenty-ninth, what with those that have gone on more or less, day and night, ever since the Tenth, one may fancy what the Prisons now were. Crowding and Confusion; jostle, hurry, vehemence and terror! Of the poor Queen's Friends, who had followed her to the Temple and been committed elsewhither to Prison, some, as Governess de Tourzelle, are to be let go: one, the poor Princess de Lamballe, is not let go; but waits in the strong-rooms of La Force there, what will betide further.

Among so many hundreds whom the launched arrest hits, who are rolled off to Townhall or Section-hall, to preliminary Houses of detention, and hurled in thither, as into cattle-pens, we must mention one other: Caron de Beaumarchais, Author of Figaro; vanquisher of Maupeou Parlements and Goezman helldogs; once numbered among the demigods; and now--? We left him in his culminant state; what dreadful decline is this, when we again catch a glimpse of him! 'At midnight' (it was but the 12th of August yet), 'the servant, in his shirt,' with wide-staring eyes, enters your room:--Monsieur, rise; all the people are come to seek you; they are knocking, like to break in the door! 'And they were in fact knocking in a terrible manner (d'une facon terrible). I fling on my coat, forgetting even the waistcoat, nothing on my feet but slippers; and say to him'--And he, alas, answers mere negatory incoherences, panic interjections. And through the shutters and crevices, in front or rearward, the dull street-lamps disclose only streetfuls of haggard countenances; clamorous, bristling with pikes: and you rush distracted for an outlet, finding none;--and have to take refuge in the crockery-press, down stairs; and stand there, palpitating in that imperfect costume, lights dancing past your key-hole, tramp of feet overhead, and the tumult of Satan, 'for four hours and more!' And old ladies, of the quarter, started up (as we hear next morning); rang for their Bonnes and cordial-drops, with shrill interjections: and old gentlemen, in their shirts, 'leapt garden-walls;' flying, while none pursued; one of whom unfortunately broke his leg. (Beaumarchais' Narrative, Memoires sur les Prisons (Paris, 1823), i. 179-90.) Those sixty thousand stand of Dutch arms (which never arrive), and the bold stroke of trade, have turned out so ill!--Beaumarchais escaped for this time; but not for the next time, ten days after. On the evening of the Twenty-ninth he is still in that chaos of the Prisons, in saddest, wrestling condition; unable to get justice, even to get audience; 'Panis scratching his head' when you speak to him, and ****** off. Nevertheless let the lover of Figaro know that Procureur Manuel, a Brother in Literature, found him, and delivered him once more. But how the lean demigod, now shorn of his splendour, had to lurk in barns, to roam over harrowed fields, panting for life; and to wait under eavesdrops, and sit in darkness 'on the Boulevard amid paving-stones and boulders,' longing for one word of any Minister, or Minister's Clerk, about those accursed Dutch muskets, and getting none,--with heart fuming in spleen, and terror, and suppressed canine-madness: alas, how the swift sharp hound, once fit to be Diana's, breaks his old teeth now, gnawing mere whinstones; and must 'fly to England;' and, returning from England, must creep into the corner, and lie quiet, toothless (moneyless),--all this let the lover of Figaro fancy, and weep for. We here, without weeping, not without sadness, wave the withered tough fellow-mortal our farewell. His Figaro has returned to the French stage; nay is, at this day, sometimes named the best piece there. And indeed, so long as Man's Life can ground itself only on artificiality and aridity; each new Revolt and Change of Dynasty turning up only a new stratum of dry rubbish, and no soil yet coming to view,--may it not be good to protest against such a Life, in many ways, and even in the Figaro way?