'Most of these persons were still drunk, with the brandy they had swallowed out of chalices;--eating mackerel on the patenas! Mounted on Asses, which were housed with Priests' cloaks, they reined them with Priests' stoles: they held clutched with the same hand communion-cup and sacred wafer. They stopped at the doors of Dramshops; held out ciboriums: and the landlord, stoop in hand, had to fill them thrice. Next came Mules high-laden with crosses, chandeliers, censers, holy-water vessels, hyssops;--recalling to mind the Priests of Cybele, whose panniers, filled with the instruments of their worship, served at once as storehouse, sacristy and temple. In such equipage did these profaners advance towards the Convention. They enter there, in an immense train, ranged in two rows; all masked like mummers in fantastic sacerdotal vestments; bearing on hand-barrows their heaped plunder,--ciboriums, suns, candelabras, plates of gold and silver.'
(Mercier, iv. 134. See Moniteur, Seance du 10 Novembre.)
The Address we do not give; for indeed it was in strophes, sung viva voce, with all the parts;--Danton glooming considerably, in his place; and demanding that there be prose and decency in future. (See also Moniteur, Seance du 26 Novembre.) Nevertheless the captors of such spolia opima crave, not untouched with liquor, permission to dance the Carmagnole also on the spot: whereto an exhilarated Convention cannot but accede. Nay, 'several Members,' continues the exaggerative Mercier, who was not there to witness, being in Limbo now, as one of Duperret's Seventy-three, 'several Members, quitting their curule chairs, took the hand of girls flaunting in Priest's vestures, and danced the Carmagnole along with them.' Such Old-Hallow-tide have they, in this year, once named of Grace, 1793.
Out of which strange fall of Formulas, tumbling there in confused welter, betrampled by the Patriotic dance, is it not passing strange to see a new Formula arise? For the human tongue is not adequate to speak what 'triviality run distracted' there is in human nature. Black Mumbo-Jumbo of the woods, and most Indian Wau-waus, one can understand: but this of Procureur Anaxagoras whilom John-Peter Chaumette? We will say only: Man is a born idol-worshipper, sight-worshipper, so sensuous-imaginative is he; and also partakes much of the nature of the ape.
For the same day, while this brave Carmagnole dance has hardly jigged itself out, there arrive Procureur Chaumette and Municipals and Departmentals, and with them the strangest freightage: a New Religion!
Demoiselle Candeille, of the Opera; a woman fair to look upon, when well rouged: she, borne on palanquin shoulder-high; with red woolen nightcap; in azure mantle; garlanded with oak; holding in her hand the Pike of the Jupiter-Peuple, sails in; heralded by white young women girt in tricolor.
Let the world consider it! This, O National Convention wonder of the universe, is our New Divinity; Goddess of Reason, worthy, and alone worthy of revering. Nay, were it too much to ask of an august National Representation that it also went with us to the ci-devant Cathedral called of Notre-Dame, and executed a few strophes in worship of her?
President and Secretaries give Goddess Candeille, borne at due height round their platform, successively the fraternal kiss; whereupon she, by decree, sails to the right-hand of the President and there alights. And now, after due pause and flourishes of oratory, the Convention, gathering its limbs, does get under way in the required procession towards Notre-Dame;--Reason, again in her litter, sitting in the van of them, borne, as one judges, by men in the Roman costume; escorted by wind-music, red nightcaps, and the madness of the world. And so straightway, Reason taking seat on the high-altar of Notre-Dame, the requisite worship or quasi-worship is, say the Newspapers, executed; National Convention chanting 'the Hymn to Liberty, words by Chenier, music by Gossec.' It is the first of the Feasts of Reason; first communion-service of the New Religion of Chaumette.
'The corresponding Festival in the Church of Saint-Eustache,' says Mercier, 'offered the spectacle of a great tavern. The interior of the choir represented a landscape decorated with cottages and boskets of trees.