书城公版The Essays of Montaigne
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第401章

'Tis for the most ignorant to look at other men over the shoulder, always returning from the combat full of joy and triumph. And moreover, for the most part, this arrogance of speech and gaiety of countenance gives them the better of it in the opinion of the audience, which is commonly weak and incapable of well judging and discerning the real advantage.

Obstinacy of opinion and heat in argument are the surest proofs of folly; is there anything so assured, resolute, disdainful, contemplative, serious and grave as the ass?

May we not include under the title of conference and communication the quick and sharp repartees which mirth and familiarity introduce amongst friends, pleasantly and wittily jesting and rallying with one another?

'Tis an exercise for which my natural gaiety renders me fit enough, and which, if it be not so tense and serious as the other I spoke of but now, is, as Lycurgus thought, no less smart and ingenious, nor of less utility. For my part, I contribute to it more liberty than wit, and have therein more of luck than invention; but I am perfect in suffering, for I endure a retaliation that is not only tart, but indiscreet to boot, without being moved at all; and whoever attacks me, if I have not a brisk answer immediately ready, I do not study to pursue the point with a tedious and impertinent contest, bordering upon obstinacy, but let it pass, and hanging down cheerfully my ears, defer my revenge to another and better time: there is no merchant that always gains: Most men change their countenance and their voice where their wits fail, and by an unseasonable anger, instead of revenging themselves, accuse at once their own folly and impatience. In this jollity, we sometimes pinch the secret strings of our imperfections which, at another and graver time, we cannot touch without offence, and so profitably give one another a hint of our defects. There are other jeux de main,--[practical jokes]-- rude and indiscreet, after the French manner, that I mortally hate; my skin is very tender and sensible: I have in my time seen two princes of the blood buried upon that very account. 'Tis unhandsome to fight in play. As to the rest, when I have a mind to judge of any one, I ask him how far he is contented with himself; to what degree his speaking or his work pleases him. I will none of these fine excuses, "I did it only in sport:

'Ablatum mediis opus est incudibus istud.'

["That work was taken from the anvil half finished."--Ovid, Trist., i. 6, 29.]

I was not an hour about it: I have never looked at it since." Well, then, say I, lay these aside, and give me a perfect one, such as you would be measured by. And then, what do you think is the best thing in your work? is it this part or that? is it grace or the matter, the invention, the judgment, or the learning? For I find that men are, commonly, as wide of the mark in judging of their own works, as of those of others; not only by reason of the kindness they have for them, but for want of capacity to know and distinguish them: the work, by its own force and fortune, may second the workman, and sometimes outstrip him, beyond his invention and knowledge. For my part, I judge of the value of other men's works more obscurely than of my own; and place the Essays, now high, or low, with great doubt and inconstancy. There are several books that are useful upon the account of their subjects, from which the author derives no praise; and good books, as well as good works, that shame the workman. I may write the manner of our feasts, and the fashion of our clothes, and may write them ill; I may publish the edicts of my time, and the letters of princes that pass from hand to hand; I may make an abridgment of a good book (and every abridgment of a good book is a foolish abridgment), which book shall come to be lost; and so on: posterity will derive a singular utility from such compositions: but what honour shall I have unless by great good fortune? Most part of the famous books are of this condition.

When I read Philip de Commines, doubtless a very good author, several years ago, I there took notice of this for no vulgar saying, "That a man must have a care not to do his master so great service, that at last he will not know how to give him his just reward"; but I ought to commend the invention, not him, because I met with it in Tacitus, not long since:

"Beneficia ea usque lxta sunt, dum videntur exsolvi posse; ubi multum antevenere, pro gratis odium redditur;"

["Benefits are so far acceptable as they appear to be capable of recompense; where they much exceed that point, hatred is returned instead of thanks."--Tacitus, Annal., iv. 18.] and Seneca vigorously says:

"Nam qui putat esse turpe non reddere, non vult esse cui reddat:"

["For he who thinks it a shame not to requite, does not wish to have the man live to whom he owes return."--Seneca, Ep., 81.]

Q. Cicero says with less directness.:

"Qui se non putat satisfacere, amicus esse nullo modo potest."

["Who thinks himself behind in obligation, can by no means be a friend."--Q. Cicero, De Petitione Consul, c. 9.]

The subject, according to what it is, may make a man looked upon as learned and of good memory; but to judge in him the parts that are most his own and the most worthy, the vigour and beauty of his soul, one must first know what is his own and what is not; and in that which is not his own, how much we are obliged to him for the choice, disposition, ornament, and language he has there presented us with. What if he has borrowed the matter and spoiled the form, as it often falls out? We, who are little read in books, are in this strait, that when we meet with a high fancy in some new poet, or some strong argument in a preacher, we dare not, nevertheless, commend it till we have first informed ourselves, through some learned man, if it be the writer's wit or borrowed from some other; until that I always stand upon my guard.