Pericles, who by solid virtue and the pure force of argument ruled the commonwealth, had stood in need of no disguises nor persuasions with the people. Nicias, inferior in these respects, used his riches, of which he had abundance, to gain popularity. Neither had he the nimble wit of Cleon to win the Athenians to his purposes by amusing them with bold jests; unprovided with such qualities, he courted them with dramatic exhibitions, gymnastic games, and other public shows, more sumptuous and more splendid than had been ever known in his or in former ages. Amongst his religious offerings, there was extant, even in our days, the small figure of Minerva in the citadel, having lost the gold that covered it; and a shrine in the temple of Bacchus, under the tripods, that were presented by those who won the prize in the shows or plays. For at these he had often carried off the prize, and never once failed. We are told that on one of these occasions, a slave of his appeared in the character of Bacchus, of a beautiful person and noble stature, and with as yet no beard upon his chin; and on the Athenians being pleased with the sight, and applauding a long time, Nicias stood up, and said he could not in piety keep as a slave one whose person had been consecrated to represent a god. And forthwith he set the young man free. His performances at Delos are, also, on record, as noble and magnificent works of devotion. For whereas the choruses which the cities sent to sing hymns to the god were wont to arrive in no order, as it might happen, and, being there met by a crowd of people crying out to them to sing, in their hurry to begin, used to disembark confusedly, putting on their garlands, and changing their dresses as they left the ships, he, when he had to convoy the sacred company, disembarked the chorus at Rhenea, together with the sacrifice, and other holy appurtenances. And having brought along with him from Athens a bridge fitted by measurement for the purpose, and magnificently adorned with gilding and colouring, and with garlands and tapestries: this he laid in the night over the channel betwixt Rhenea and Delos, being no great distance. And at break of day he marched forth with all the procession to the god, and led the chorus, sumptuously ornamented, and singing their hymns, along over the bridge. The sacrifices, the games, and the feast being over, he set up a palm-tree of brass for a present to the god, and bought a parcel of land with ten thousand drachmas which he consecrated; with the revenue the inhabitants of Delos were to sacrifice and to feast, and to pray the gods for many good things to Nicias. This he engraved on a pillar, which he left in Delos to be a record of his bequest. This same palm-tree, afterwards broken down by the wind, fell on the great statue which the men of Naxos presented, and struck it to the ground.
It is plain that much of this might be vainglory, and the mere desire of popularity and applause; yet from other qualities and carriages of the man one might believe all this cost and public display to be the effect of devotion. For he was one of those who dreaded the divine powers extremely, and, as Thucydides tells us, was much given to arts of divination. In one of Pasiphon's dialogues, it is stated that he daily sacrificed to the gods, and keeping a diviner at his house, professed to be consulting always about the commonwealth, but for the most part inquired about his own private affairs, more especially concerning his silver mines; for he owned many works at Laurium, of great value, but somewhat hazardous to carry on. He maintained there a multitude of slaves, and his wealth consisted chiefly in silver. Hence he had many hangers-on about him, begging and obtaining. For he gave to those who could do him mischief no less than to those who deserved well. In short, his timidity was a revenue to rogues, and his humanity to honest men. We find testimony in the comic writers, as when Teleclides, speaking of one of the professed informers, says-"Charicles gave the man a pound, the matter not to name, That from inside a money-bag into the world he came;And Nicias, also, paid him four; I know the reason well, But Nicias is a worthy man, and so I will not tell."So, also, the informer whom Eupolis introduces in his Maricas, attacking a good, simple, poor man:-"How long ago did you and Nicias meet?
I did but see him just now in the street.
The man has seen him and denies it not, 'Tis evident that they are in a plot.
See you, O citizens! 'tis fact, Nicias is taken in the act.