With the deaf old lady we had, for obvious reasons, no sustained conversation. She busied herself for the most part in ****** dango, a kind of dumpling, but not one calculated to stir curiosity, since it is made of rice all through. These our men ate with more relish than would seem possible. Meanwhile I sat away from the road where Icould look out upon the sea over the cliffs, and the cat purred about in her offhand way and used me incidentally as a rubbing post. Trees fringed the picture in front, and the ribbon of road wound off through it into the distance, beaded with folk, and shot with sunshine and shadow.
I was sorry when lunch was over and we took leave of our gentle hostesses; tabbies both of them, yet no unpleasing pair. A few more bends brought us to where the path culminated. The road had for some time lain bare to the sea and sky, but at the supreme point some fine beeches made a natural screen masking the naked face of the precipice.
On the cutting above, four huge Chinese characters stood graved in the rock.
"Ya no gotoku, to no gotoshi."
"Smooth as a whetstone, straight as an arrow," meaning the cliff.
Perhaps because of their pictorial descent, the characters did not shock one. Unlike the usual branding of nature, they seemed not out of keeping with the spot. Not far beyond, the butts of the winter's neve, buried in dirt, banked the path.
For miles along the raod the view off was superb. Nothing bordered one side of the way and the mountain bordered the other. Far below lay the sea, stretching away into blue infinity, a vast semicircle of ultramarine domed by a hemisphere of azure; and it was noticeable how much vaster the sea looked than the sky. We were so high above it that the heavings of its longer swells were leveled to imperceptibility, while the waves only graved the motionless surface. Here and there the rufflings of a breeze showed in darker markings, like the changes on watered silk. The most ephemeral disturbance made the most show.
Dotted over the blue expanse were black spots, fishing boats; and a steamer with a long trail of smoke showed in the offing, stationary to the eye, yet shifting its place like the shadow of a style when you forgot to look. And in long perspective on either hand stretched the battlement of cliff. Visual immensity lay there before us, in each of its three manifestations; of line, of surface, and of space.
We stood still, the better to try to take it in--this grandeur tempered by sunshine and warmth. Do what he will, man is very much the creature of his surroundings yet. In some instant sense, the eyes fashion the feelings, and we ourselves grow broader with our horizon's breadth. The Chaldean shepherds alone with the night had grander thoughts for the companionship, and I venture to believe that the heart of the mountaineer owes quite as much to what he is forced to visage as to what he is compelled to do.
We tucked ourselves into our jinrikisha and started down. By virtue of going, the speed increased, till the way we rolled round the curves was intoxicating. The panorama below swung to match, and we leaned in or out mechanically to trim the balance. Occasionally, as it hit some stone, the vehicle gave a lurch that startled us for a moment into sobriety, from which we straightway relapsed into exhilaration. Curious this, how the body brings about its own forgetting. For I was conscious only of mind, and yet mind was the one part of me not in motion. I suppose much oxygen made me tipsy.
If so, it is a recommendable tipple. Spirits were not unhappily named after the natural article.
It was late afternoon when we issued at last from our two days Thermopylae upon the Etchiu plain. As we drew out into its expanse, the giant peaks of the Tateyama range came into view from behind their foothills, draped still in their winter ermine. It was last year yet in those upper regions of the world, but all about us below throbbed with the heartbeats of the spring. At each mile, amid the ever lengthening shadows, nature seemed to grow more sentient.
Through the thick air the peaks stood out against the eastern sky, in saffron that flushed to rose and then paled to gray. The ricefields, already flooded for their first working, mirrored the glow overhead so glassily that their dykes seemed to float, in sunset illusion, a mere bar tracery of earth between the sky above and a sky beneath.
Upon such lattice of a world we journeyed in mid-heaven. Stealthily the shadows gathered; and as the hour for confidences drew on, nature took us into hers. The trees in the twilight, just breaking into leaf, stood in groups among the fields and whispered low to one another, nodding their heads; and then from out the shadow of the May evening came the croaking of the frogs. Strangely the sound fitted the hour, with its like touch of mysterious suggestion. As the twilight indefinite, it pervaded everything, yet was never anywhere.
Deafening at a distance, it hushed at our approach only to begin again behind us. Will-o'-the-wisp of the ear, infatuating because forever illusive! And the distance and the numbers blended what had perhaps been harsh into a mellow whole that filled the gloaming with a sort of voice. I began to understand why the Japanese are so fond of it that they deem it not unworthy a place in nature's vocal pantheon but little lower than the song of the nightingale, and echo its sentiment in verse. And indeed it seems to me that his soul must be conventionally tuned in whom this even-song of the ricefields stirs no responsive chord.