Madame Latournelle and Madame Dumay, who were appointed to watch Modeste, had a certain assumed stiffness of demeanor and a quiver in their voices, which the suspected party did not notice, so absorbed was she in her embroidery. Modeste laid each thread of cotton with a precision that would have made an ordinary workwoman desperate. Her face expressed the pleasure she took in the smooth petals of the flower she was working. The dwarf, seated between his mistress and Gobenheim, restrained his emotion, trying to find means to approach Modeste and whisper a word of warning in her ear.
By taking a position in front of Madame Mignon, Madame Latournelle, with the diabolical intelligence of conscientious duty, had isolated Modeste. Madame Mignon, whose blindness always made her silent, was even paler than usual, showing plainly that she was aware of the test to which her daughter was about to be subjected. Perhaps at the last moment she revolted from the stratagem, necessary as it might seem to her. Hence her silence; she was weeping inwardly. Exupere, the spring of the trap, was wholly ignorant of the piece in which he was to play a part. Gobenheim, by reason of his character, remained in a state of indifference equal to that displayed by Modeste. To a spectator who understood the situation, this contrast between the ignorance of some and the palpitating interest of others would have seemed quite poetic.
Nowadays romance-writers arrange such effects; and it is quite within their province to do so, for nature in all ages takes the liberty to be stronger than they. In this instance, as you will see, nature, social nature, which is a second nature within nature, amused herself by ****** truth more interesting than fiction; just as mountain torrents describe curves which are beyond the skill of painters to convey, and accomplish giant deeds in displacing or smoothing stones which are the wonder of architects and sculptors.
It was eight o'clock. At that season twilight was still shedding its last gleams; there was not a cloud in the sky; the balmy air caressed the earth, the flowers gave forth their fragrance, the steps of pedestrians turning homeward sounded along the gravelly road, the sea shone like a mirror, and there was so little wind that the wax candles upon the card-tables sent up a steady flame, although the windows were wide open. This salon, this evening, this dwelling--what a frame for the portrait of the young girl whom these persons were now studying with the profound attention of a painter in presence of the Margharita Doni, one of the glories of the Pitti palace. Modeste,--blossom enclosed, like that of Catullus,--was she worth all these precautions?
You have seen the cage; behold the bird! Just twenty years of age, slender and delicate as the sirens which English designers invent for their "Books of Beauty," Modeste was, like her mother before her, the captivating embodiment of a grace too little understood in France, where we choose to call it sentimentality, but which among German women is the poetry of the heart coming to the surface of the being and spending itself--in affectations if the owner is silly, in divine charms of manner if she is "spirituelle" and intelligent. Remarkable for her pale golden hair, Modeste belonged to the type of woman called, perhaps in memory of Eve, the celestial blonde; whose satiny skin is like a silk paper applied to the flesh, shuddering at the winter of a cold look, expanding in the sunshine of a loving glance,--