Tom was growing restless under this lampooning of his connection with The New Democracy.
"What's all this got to do with your being bored?"
Amory considered that it had much to do with it.
"How'll I fit in?" he demanded. "What am I for? To propagate the race? According to the American novels we are led to believe that the 'healthy American boy' from nineteen to twenty-five is an entirely ***less animal. As a matter of fact, the healthier he is the less that's true. The only alternative to letting it get you is some violent interest. Well, the war is over; I believe too much in the responsibilities of authorship to write just now; and business, well, business speaks for itself. It has no connection with anything in the world that I've ever been interested in, except a slim, utilitarian connection with economics. What I'd see of it, lost in a clerkship, for the next and best ten years of my life would have the intellectual content of an industrial movie."
"Try fiction," suggested Tom.
"Trouble is I get distracted when I start to write storiesget afraid I'm doing it instead of livingget thinking maybe life is waiting for me in the Japanese gardens at the Ritz or at Atlantic City or on the lower East Side.
"Anyway," he continued, "I haven't the vital urge. I wanted to be a regular human being but the girl couldn't see it that way."
"You'll find another."
"God! Banish the thought. Why don't you tell me that 'if the girl had been worth having she'd have waited for you'? No, sir, the girl really worth having won't wait for anybody. If I thought there'd be another I'd lose my remaining faith in human nature.
Maybe I'll playbut Rosalind was the only girl in the wide world that could have held me."
"Well," yawned Tom, "I've played confidant a good hour by the clock. Still, I'm glad to see you're beginning to have violent views again on something."
"I am," agreed Amory reluctantly. "Yet when I see a happy family it makes me sick at my stomach"
"Happy families try to make people feel that way," said Tom cynically.
TOM THE CENSOR
There were days when Amory listened. These were when Tom, wreathed in smoke, indulged in the slaughter of American literature. Words failed him.
"Fifty thousand dollars a year," he would cry. "My God! Look at them, look at themEdna Ferber, Gouverneur Morris, Fanny Hurst, Mary Roberts Rinehartnot producing among 'em one story or novel that will last ten years. This man CobbI don't tink he's either clever or amusingand what's more, I don't think very many people do, except the editors. He's just groggy with advertising. Andoh Harold Bell Wright oh Zane Grey"
"They try."
"No, they don't even try. Some of them can write, but they won't sit down and do one honest novel. Most of them can't write, I'll admit. I believe Rupert Hughes tries to give a real, comprehensive picture of American life, but his style and perspective are barbarous. Ernest Poole and Dorothy Canfield try but they're hindered by their absolute lack of any sense of humor; but at least they crowd their work instead of spreading it thin. Every author ought to write every book as if he were going to be beheaded the day he finished it."
"Is that double entente?"
"Don't slow me up! Now there's a few of 'em that seem to have some cultural background, some intelligence and a good deal of literary felicity but they just simply won't write honestly; they'd all claim there was no public for good stuff. Then why the devil is it that Wells, Conrad, Galsworthy, Shaw, Bennett, and the rest depend on America for over half their sales?"
"How does little Tommy like the poets?"
Tom was overcome. He dropped his arms until they swung loosely beside the chair and emitted faint grunts.
"I'm writing a satire on 'em now, calling it 'Boston Bards and Hearst Reviewers.'"
"Let's hear it," said Amory eagerly.
"I've only got the last few lines done."
"That's very modern. Let's hear 'em, if they're funny." Tom produced a folded paper from his pocket and read aloud, pausing at intervals so that Amory could see that it was free verse:
"So Walter Arensberg, Alfred Kreymborg, Carl Sandburg, Louis Untermeyer, Eunice Tietjens, Clara Shanafelt, James Oppenheim, Maxwell Bodenheim, Richard Glaenzer, Scharmel Iris, Conrad Aiken, I place your names here So that you may live If only as names, Sinuous, mauve-colored names, In the Juvenalia Of my collected editions."
Amory roared.
"You win the iron pansy. I'll buy you a meal on the arrogance of the last two lines."
Amory did not entirely agree with Tom's sweeping damnation of American novelists and poets. He enjoyed both Vachel Lindsay and Booth Tarkington, and admired the conscientious, if slender, artistry of Edgar Lee Masters.
"What I hate is this idiotic drivel about 'I am GodI am manI ride the windsI look through the smokeI am the life sense.'"
"It's ghastly!"