Emilio took his seat at the back of the box and remained there in silence, listening to the Duchess, enchanted by her wit and beauty. It was for him, and not out of vanity, that Massimilla lavished the charms of her conversation bright with Italian wit, in which sarca** lashed things but not persons, laughter attacked nothing that was not laughable, mere trifles were seasoned with Attic salt.
Anywhere else she might have been tiresome. The Italians, an eminently intelligent race, have no fancy for displaying their talents where they are not in demand; their chat is perfectly ****** and effortless, it never makes play, as in France, under the lead of a fencing master, each one flourishing his foil, or, if he has nothing to say, sitting humiliated.
Conversation sparkles with a delicate and subtle satire that plays gracefully with familiar facts; and instead of a compromising epigram an Italian has a glance or a smile of unutterable meaning. They think --and they are right--that to be expected to understand ideas when they only seek enjoyment, is a bore.
Indeed, la Vulpato had said to Massimilla:
"If you loved him you would not talk so well."
Emilio took no part in the conversation; he listened and gazed. This reserve might have led foreigners to suppose that the Prince was a man of no intelligence,--their impression very commonly of an Italian in love,--whereas he was simply a lover up to his ears in rapture.
Vendramin sat down by Emilio, opposite the Frenchman, who, as the stranger, occupied the corner facing the Duchess.
"Is that gentleman drunk?" said the physician in an undertone to Massimilla, after looking at Vendramin.
"Yes," replied she, simply.
In that land of passion, each passion bears its excuse in itself, and gracious indulgence is shown to every form of error. The Duchess sighed deeply, and an expression of suppressed pain passed over her features.
"You will see strange things in our country, monsieur," she went on.
"Vendramin lives on opium, as this one lives on love, and that one buries himself in learning; most young men have a passion for a dancer, as older men are miserly. We all create some happiness or some madness for ourselves."
"Because you all want to divert your minds from some fixed idea, for which a revolution would be a radical cure," replied the physician.
"The Genoese regrets his republic, the Milanese pines for his independence, the Piemontese longs for a constitutional government, the Romagna cries for liberty--"
"Of which it knows nothing," interrupted the Duchess. "Alas! there are men in Italy so stupid as to long for your idiotic Charter, which destroys the influence of woman. Most of my fellow-countrywomen must need read your French books--useless rhodomontade--"
"Useless!" cried the Frenchman.
"Why, monsieur," the Duchess went on, "what can you find in a book that is better than what we have in our hearts? Italy is mad."
"I cannot see that a people is mad because it wishes to be its own master," said the physician.
"Good Heavens!" exclaimed the Duchess, eagerly, "does not that mean paying with a great deal of bloodshed for the right of quarreling, as you do, over crazy ideas?"
"Then you approve of despotism?" said the physician.
"Why should I not approve of a system of government which, by depriving us of books and odious politics, leaves men entirely to us?"
"I had thought that the Italians were more patriotic," said the Frenchman.
Massimilla laughed so slyly that her interlocutor could not distinguish mockery from serious meaning, nor her real opinion from ironical criticism.
"Then you are not a liberal?" said he.
"Heaven preserve me!" said she. "I can imagine nothing in worse taste than such opinions in a woman. Could you love a woman whose heart was occupied by all mankind?"
"Those who love are naturally aristocrats," the Austrian General observed, with a smile.
"As I came into the theatre," the Frenchman observed, "you were the first person I saw; and I remarked to his Excellency that if there was a woman who could personify a nation it was you. But I grieve to discover that, though you represent its divine beauty, you have not the constitutional spirit."
"Are you not bound," said the Duchess, pointing to the ballet now being danced, "to find all our dancers detestable and our singers atrocious? Paris and London rob us of all our leading stars. Paris passes judgment on them, and London pays them. Genovese and la Tinti will not be left to us for six months--"
At this juncture, the Austrian left the box. Vendramin, the Prince, and the other two Italians exchanged a look and a smile, glancing at the French physician. He, for a moment, felt doubtful of himself,--a rare thing in a Frenchman,--fancying he had said or done something incongruous; but the riddle was immediately solved.
"Do you thing it would be judicious," said Emilio, "if we spoke our mind in the presence of our masters?"
"You are in a land of slaves," said the Duchess, in a tone and with a droop of the head which gave her at once the look for which the physician had sought in vain. "Vendramin," she went on, speaking so that only the stranger could hear her, "took to smoking opium, a villainous idea suggested to him by an Englishman who, for other reasons of his, craved an easy death--not death as men see it in the form of a skeleton, but death draped with the frippery you in France call a flag--a maiden form crowned with flowers or laurels; she appears in a cloud of gunpowder borne on the flight of a cannon-ball--or else stretched on a bed between two courtesans; or again, she rises in the steam of a bowl of punch, or the dazzling vapor of a diamond--but a diamond in the form of carbon.