MRS. SCLATER.
Gibbie was in a dream of mingled past and future delights, when his conductor stopped at a large and important-looking house, with a flight of granite steps up to the door. Gibbie had never been inside such a house in his life, but when they entered, he was not much impressed. He did look with a little surprise, it is true, but it was down, not up: he felt his feet walking soft, and wondered for a moment that there should be a field of grass in a house. Then he gave a glance round, thought it was a big place, and followed Mr.
Sclater up the stair with the free mounting step of the Glashgar shepherd. Forgetful and unconscious, he walked into the drawing-room with his bonnet on his head. Mrs. Sclater rose when they entered, and he approached her with a smile of welcome to the house which he carried, always full of guests, in his bosom. He never thought of looking to her to welcome him. She shook hands with him in a doubtful kind of way.
"How do you do, Sir Gilbert?" she said. "Only ladies are allowed to wear their caps in the drawing-room, you know," she added, in a tone of courteous and half-rallying rebuke, speaking from a flowery height of conscious superiority.
What she meant by the drawing-room, Gibbie had not an idea. He looked at her head, and saw no cap; she had nothing upon it but a quantity of beautiful black hair; then suddenly remembered his bonnet; he knew well enough bonnets had to be taken off in house or cottage: he had never done so because he never had worn a bonnet.
But it was with a smile of amusement only that he now took it off.
He was so free from selfishness that he knew nothing of shame.
Never a shadow of blush at his bad manners tinged his cheek. He put the cap in his pocket, and catching sight of a footstool by the corner of the chimney-piece, was so strongly reminded of his creepie by the cottage-hearth, which, big lad as he now was, he had still haunted, that he went at once and seated himself upon it. From this coign of vantage he looked round the room with a gentle curiosity, casting a glance of pleasure every now and then at Mrs. Sclater, to whom her husband, in a manner somewhat constrained because of his presence, was recounting some of the incidents of his journey, making choice, after the manner of many, of the most commonplace and uninteresting.
Gibbie had not been educated in the relative grandeur of things of this world, and he regarded the things he now saw just as things, without the smallest notion of any power in them to confer superiority by being possessed: can a slave knight his master? The reverend but poor Mr. Sclater was not above the foolish consciousness of importance accruing from the refined adjuncts of a more needy corporeal existence; his wife would have felt out of her proper sphere had she ceased to see them around her, and would have lost some of her aplomb; but the divine idiot Gibbie was incapable even of the notion that they mattered a straw to the life of any man. Indeed, to compare man with man was no habit of his; hence it cannot be wonderful that stone hearth and steel grate, clay floor and Brussels carpet were much the same to him. Man was the one sacred thing. Gibbie's unconscious creed was a powerful leveller, but it was a leveller up, not down. The heart that revered the beggar could afford to be incapable of homage to position. His was not one of those contemptible natures which have no reverence because they have no aspiration, which think themselves fine because they acknowledge nothing superior to their own essential baseness.
To Gibbie every man was better than himself. It was for him a sudden and strange descent--from the region of poetry and closest intercourse with the strong and gracious and vital simplicities of Nature, human and other, to the rich commonplaces, amongst them not a few fashionable vulgarities, of an ordinary well-appointed house, and ordinary well-appointed people; but, however bedizened, humanity was there; and he who does not love human more than any other nature has not life in himself, does not carry his poetry in him, as Gibbie did, therefore cannot find it except where it has been shown to him.
Neither was a common house like this by any means devoid of any things to please him. If there was not the lovely homeliness of the cottage which at once gave all it had, there was a certain stateliness which afforded its own reception; if there was little harmony, there were individual colours that afforded him delight--as for instance, afterwards, the crimson covering the walls of the dining-room, whose colour was of that soft deep-penetrable character which a flock paper alone can carry. Then there were pictures, bad enough most of them, no doubt, in the eyes of the critic, but endlessly suggestive, therefore endlessly delightful to Gibbie. It is not the man who knows most about Nature that is hardest to please, however he may be hardest to satisfy, with the attempt to follow her. The accomplished poet will derive pleasure from verses which are a mockery to the soul of the unhappy mortal whose business is judgment--the most thankless of all labours, and justly so.
Certain fruits one is unable to like until he has eaten them in their perfection; after that, the reminder in them of the perfect will enable him to enjoy even the inferior a little, recognizing their kind--always provided he be not one given to judgment--a connoisseur, that is, one who cares less for the truth than for the knowing comparison of one embodiment of it with another. Gibbie's regard then, as it wandered round the room, lighting on this colour, and that texture, in curtain, or carpet, or worked screen, found interest and pleasure. Amidst the mere upholstery of houses and hearts, amidst the common life of the common crowd, he was, and had to be, what he had learned to be amongst the nobility and in the palace of Glashgar.