The abbe returned upon his steps and walked along the paths of the first garden, from which he could see, in the distance beyond the village, the magnificent stretch of valley, a true oasis at the edge of the vast plains, which now, veiled by the light mists of morning, lay along the horizon like a tranquil ocean. Behind him could be seen, on one side, for a foil, the dark masses of the bronze-green forest; on the other, the church and the ruins of the castle perched on the rock and vividly detached upon the blue of the ether. The Abbe Gabriel, his feet creaking on the gravelly paths cut in stars and rounds and lozenges, looked down upon the village, where some of the inhabitants were already gazing up at him, and then at the fresh, cool valley, with its tangled paths, its river bordered with willows in delightful contrast to the endless plain, and he was suddenly seized with sensations which changed the nature of his thoughts; he admired the sweet tranquillity of the place; he felt the influence of that pure air; he was conscious of the peace inspired by the revelation of a life brought back to Biblical simplicity; he saw, confusedly, the beauties of this old parsonage, which he now re-entered to examine its details with greater interest.
A little girl, employed, no doubt, to watch the house, though she was picking and eating fruit in the garden, heard the steps of a man with creaking shoes on the great square flags of the ground-floor rooms.
She ran in to see who it was. Confused at being caught by a priest with a fruit in one hand and another in her mouth, she made no answer to the questions of the handsome young abbe. She had never imagined such an abbe,--dapper and spruce as hands could make him, in dazzling linen and fine black cloth without spot or wrinkle.
"Monsieur Bonnet?" she said at last. "Monsieur Bonnet is saying mass, and Mademoiselle Ursule is at church."
The Abbe Gabriel did not notice a covered way from the house to the church; he went back to the road which led to the front portal, a species of porch with a sloping roof that faced the village. It was reached by a series of disjointed stone steps, at the side of which lay a ravine washed out by the mountain torrents and covered with noble elms planted by Sully the Protestant. This church, one of the poorest in France where there are so many poor churches, was like one of those enormous barns with projecting doors covered by roofs supported on brick or wooden pillars. Built, like the parsonage, of cobblestones and mortar, flanked by a face of solid rock, and roofed by the commonest round tiles, this church was decorated on the outside with the richest creations of sculpture, rich in light and shade and lavishly massed and colored by Nature, who understands such art as well as any Michael Angelo. Ivy clasped the walls with its nervous tendrils, showing stems amid its foliage like the veins in a lay figure. This mantle, flung by Time to cover the wounds he made, was starred by autumn flowers drooping from the crevices, which also gave shelter to numerous singing birds. The rose-window above the projecting porch was adorned with blue campanula, like the first page of an illuminated missal. The side which communicated with the parsonage, toward the north, was not less decorated; the wall was gray and red with moss and lichen; but the other side and the apse, around which lay the cemetery, was covered with a wealth of varied blooms. A few trees, among others an almond-tree--one of the emblems of hope-- had taken root in the broken wall; two enormous pines standing close against the apsis served as lightning-rods. The cemetery, enclosed by a low, half-ruined wall, had for ornament an iron cross, mounted on a pedestal and hung with box, blessed at Easter,--one of those affecting Christian thoughts forgotten in cities. The village rector is the only priest who, in these days, thinks to go among his dead and say to them each Easter morn, "Thou shalt live again!" Here and there a few rotten wooden crosses stood up from the grassy mounds.
The interior of the church harmonized perfectly with the poetic tangle of the humble exterior, the luxury and art of which was bestowed by Time, for once in a way charitable. Within, the eye first went to the roof, lined with chestnut, to which age had given the richest tints of the oldest woods of Europe. This roof was supported at equal distances by strong shafts resting on transversal beams. The four white-washed walls had no ornament whatever. Poverty had made the parish iconoclastic, whether it would or not. The church, paved and furnished with benches, was lighted by four arched windows with leaded panes.
The altar, shaped like a tomb, was adorned by a large crucifix placed above a tabernacle in walnut with a few gilt mouldings, kept clean and shining, eight candlesticks economically made of wood painted white, and two china vases filled with artificial flowers such as the drudge of a money-changer would have despised, but with which God was satisfied.
The sanctuary lamp was a night-wick placed in an old holy-water basin of plated copper hanging by silken cords, the spoil of some demolished chateau. The baptismal fonts were of wood; so were the pulpit and a sort of cage provided for the church-wardens, the patricians of the village. An altar to the Virgin presented to public admiration two colored lithographs in small gilt frames. The altar was painted white, adorned with artificial flowers in gilded wooden vases, and covered by a cloth edged with shabby and discolored lace.
At the farther end of the church a long window entirely covered by a red calico curtain produced a magical effect. This crimson mantle cast a rosy tint upon the whitewashed walls; a thought divine seemed to glow upon the altar and clasp the poor nave as if to warm it. The passage which led to the sacristy exhibited on one of its walls the patron saint of the village, a large Saint John the Baptist with his sheep, carved in wood and horribly painted.
But in spite of all this poverty the church was not without some tender harmonies delightful to choice souls, and set in charming relief by their own colors. The rich dark tones of the wood relieved the white of the walls and blended with the triumphal crimson cast on the chancel. This trinity of color was a reminder of the grand Catholic doctrine.
If surprise was the first emotion roused by this pitiful house of the Lord, surprise was followed speedily by admiration mingled with pity.
Did it not truly express the poverty of that poor region? Was it not in harmony with the ***** simplicity of the parsonage? The building was perfectly clean and well-kept. The fragrance of country virtues exhaled within it; nothing showed neglect or abandonment. Though rustic and poor and ******, prayer dwelt there; those precincts had a soul,--a soul which was felt, though we might not fully explain to our own souls how we felt it.