书城公版Louis Lambert
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第11章

Lambert's home-sickness lasted for many months. I know no words to describe the dejection to which he was a prey. Louis has taken the glory off many a masterpiece for me. We had both played the part of the "Leper of Aosta," and had both experienced the feelings described in Monsieur de Maistre's story, before we read them as expressed by his eloquent pen. A book may, indeed, revive the memories of our childhood, but it can never compete with them successfully. Lambert's woes had taught me many a chant of sorrow far more appealing than the finest passages in "Werther." And, indeed, there is no possible comparison between the pangs of a passion condemned, whether rightly or wrongly, by every law, and the grief of a poor child pining for the glorious sunshine, the dews of the valley, and liberty. Werther is the slave of desire; Louis Lambert was an enslaved soul. Given equal talent, the more pathetic sorrow, founded on desires which, being purer, are the more genuine, must transcend the wail even of genius.

After sitting for a long time with his eyes fixed on a lime-tree in the playground, Louis would say just a word; but that word would reveal an infinite speculation.

"Happily for me," he exclaimed one day, "there are hours of comfort when I feel as though the walls of the room had fallen and I were away--away in the fields! What a pleasure it is to let oneself go on the stream of one's thoughts as a bird is borne up on its wings!""Why is green a color so largely diffused throughout creation?" he would ask me. "Why are there so few straight lines in nature? Why is it that man, in his structures, rarely introduces curves? Why is it that he alone, of all creatures, has a sense of straightness?"These queries revealed long excursions in space. He had, I am sure, seen vast landscapes, fragrant with the scent of woods. He was always silent and resigned, a living elegy, always suffering but unable to complain of suffering. An eagle that needed the world to feed him, shut in between four narrow, dirty walls; and thus this life became an ideal life in the strictest meaning of the words. Filled as he was with contempt of the almost useless studies to which we were harnessed, Louis went on his skyward way absolutely unconscious of the things about us.

I, obeying the imitative instinct that is so strong in childhood, tired to regulate my life in conformity with his. And Louis the more easily infected me with the sort of torpor in which deep contemplation leaves the body, because I was younger and more impressionable than he. Like two lovers, we got into the habit of thinking together in a common reverie. His intuitions had already acquired that acuteness which must surely characterize the intellectual perceptiveness of great poets and often bring them to the verge of madness.

"Do you ever feel," said he to me one day, "as though imagined suffering affected you in spite of yourself? If, for instance, I think with concentration of the effect that the blade of my penknife would have in piercing my flesh, I feel an acute pain as if I had really cut myself; only the blood is wanting. But the pain comes suddenly, and startles me like a sharp noise breaking profound silence. Can an idea cause physical pain?--What do you say to that, eh?"When he gave utterance to such subtle reflections, we both fell into artless meditation; we set to work to detect in ourselves the inscrutable phenomena of the origin of thoughts, which Lambert hoped to discover in their earliest germ, so as to describe some day the unknown process. Then, after much discussion, often mixed up with childish notions, a look would flash from Lambert's eager eyes; he would grasp my hand, and a word from the depths of his soul would show the current of his mind.

"Thinking is seeing," said he one day, carried away by some objection raised as to the first principles of our organization. "Every human science is based on deduction, which is a slow process of seeing by which we work up from the effect to the cause; or, in a wider sense, all poetry, like every work of art, proceeds from a swift vision of things."He was a spiritualist (as opposed to materialism); but I would venture to contradict him, using his own arguments to consider the intellect as a purely physical phenomenon. We both were right. Perhaps the words materialism and spiritualism express the two faces of the same fact.

His considerations on the substance of the mind led to his accepting, with a certain pride, the life of privation to which we were condemned in consequence of our idleness and our indifference to learning. He had a certain consciousness of his own powers which bore him up through his spiritual cogitations. How delightful it was to me to feel his soul acting on my own! Many a time have we remained sitting on our form, both buried in one book, having quite forgotten each other's existence, and yet not apart; each conscious of the other's presence, and bathing in an ocean of thought, like two fish swimming in the same waters.

Our life, apparently, was merely vegetating; but we lived through our heart and brain.

Lambert's influence over my imagination left traces that still abide.