The position of the head is well defined in every organism.If by any chance a nation allows its head to fall at its feet, it is pretty sure sooner or later to discover that this is a suicidal measure; and since nations have no desire to perish, they set to work at once to grow a new head.If they lack the strength for this, they perish as Rome perished, and Venice, and so many other states.
This distinction between the upper and lower spheres of social activity, emphasised by differences in their manner of living, necessarily implies that in the highest aristocracy there is real worth and some distinguishing merit.In any state, no matter what form of "government" is affected, so soon as the patrician class fails to maintain that complete superiority which is the condition of its existence, it ceases to be a force, and is pulled down at once by the populace.The people always wish to see money, power, and initiative in their leaders, hands, hearts, and heads; they must be the spokesmen, they must represent the intelligence and the glory of the nation.Nations, like women, love strength in those who rule them; they cannot give love without respect; they refuse utterly to obey those of whom they do not stand in awe.An aristocracy fallen into contempt is a roi faineant, a husband in petticoats; first it ceases to be itself, and then it ceases to be.
And in this way the isolation of the great, the sharply marked distinction in their manner of life, or in a word, the general custom of the patrician caste is at once the sign of a real power, and their destruction so soon as that power is lost.The Faubourg Saint-Germain failed to recognise the conditions of its being, while it would still have been easy to perpetuate its existence, and therefore was brought low for a time.The Faubourg should have looked the facts fairly in the face, as the English aristocracy did before them; they should have seen that every institution has its climacteric periods, when words lose their old meanings, and ideas reappear in a new guise, and the whole conditions of politics wear a changed aspect, while the underlying realities undergo no essential alteration.
These ideas demand further development which form an essential part of this episode; they are given here both as a succinct statement of the causes, and an explanation of the things which happen in the course of the story.
The stateliness of the castles and palaces where nobles dwell;the luxury of the details; the constantly maintained sumptuousness of the furniture; the "atmosphere" in which the fortunate owner of landed estates (a rich man before he was born)lives and moves easily and without friction; the habit of mind which never descends to calculate the petty workaday gains of existence; the leisure; the higher education attainable at a much earlier age; and lastly, the aristocratic tradition that makes of him a social force, for which his opponents, by dint of study and a strong will and tenacity of vocation, are scarcely a match-all these things should contribute to form a lofty spirit in a man, possessed of such privileges from his youth up; they should stamp his character with that high self-respect, of which the least consequence is a nobleness of heart in harmony with the noble name that he bears.And in some few families all this is realised.There are noble characters here and there in the Faubourg, but they are marked exceptions to a general rule of egoism which has been the ruin of this world within a world.The privileges above enumerated are the birthright of the French noblesse, as of every patrician efflorescence ever formed on the surface of a nation; and will continue to be theirs so long as their existence is based upon real estate, or money; domaine-sol and domaine-argent alike, the only solid bases of an organised society; but such privileges are held upon the understanding that the patricians must continue to justify their existence.There is a sort of moral fief held on a tenure of service rendered to the sovereign, and here in France the people are undoubtedly the sovereigns nowadays.The times are changed, and so are the weapons.The knight-banneret of old wore a coat of chain armour and a hauberk,; he could handle a lance well and display his pennon, and no more was required of him; today he is bound to give proof of his intelligence.A stout heart was enough in the days of old; in our days he is required to have a capacious brain-pan.Skill and knowledge and capital--these three points mark out a social ******** on which the scutcheon of power is blazoned; our modern aristocracy must take its stand on these.
A fine theorem is as good as a great name.The Rothschilds, the Fuggers of the nineteenth century, are princes de facto.A great artist is in reality an oligarch; he represents a whole century, and almost always he is a law to others.And the art of words, the high pressure machinery of the writer, the poet's genius, the merchant's steady endurance, the strong will of the statesman who concentrates a thousand dazzling qualities in himself, the general's sword--all these victories, in short, which a single individual will win, that he may tower above the rest of the world, the patrician class is now bound to win and keep exclusively.They must head the new forces as they once headed the material forces; how should they keep the position unless they are worthy of it? How, unless they are the soul and brain of a nation, shall they set its hands moving? How lead a people without the power of command? And what is the marshal's baton without the innate power of the captain in the man who wields it?