"She has a most charming dress for the occasion.""The marriage-contract dress is, in my opinion, half the battle," said Solonet.
This last argument seemed so cogent to Madame Evangelista that she superintended Natalie's toilet herself, as much perhaps to watch her daughter as to make her the innocent accomplice of her financial conspiracy.
With her hair dressed a la Sevigne and wearing a gown of white tulle adorned with pink ribbons, Natalie seemed to her mother so beautiful as to guarantee victory. When the lady's-maid left the room and Madame Evangelista was certain that no one could overhear her, she arranged a few curls on her daughter's head by way of exordium.
"Dear child," she said, in a voice that was firm apparently, "do you sincerely love the Comte de Manerville?"Mother and daughter cast strange looks at each other.
"Why do you ask that question, little mother? and to-day more than yesterday> Why have you thrown me with him?""If you and I had to part forever would you still persist in the marriage?""I should give it up--and I should not die of grief.""You do not love him, my dear," said the mother, kissing her daughter's forehead.
"But why, my dear mother, are you playing the Grand Inquisitor?""I wished to know if you desired the marriage without being madly in love with the husband.""I love him."
"And you are right. He is a count; we will make him a peer of France between us; nevertheless, there are certain difficulties.""Difficulties between persons who love each other? Oh, no. The heart of the Pink of Fashion is too firmly planted here," she said, with a pretty gesture, "to make the very slightest objection. I am sure of that.""But suppose it were otherwise?" persisted Madame Evangelista.
"He would be profoundly and forever forgotten," replied Natalie.
"Good! You are a Casa-Reale. But suppose, though he madly loves you, suppose certain discussions and difficulties should arise, not of his own ******, but which he must decide in your interests as well as in mine--hey, Natalie, what then? Without lowering your dignity, perhaps a little softness in your manner might decide him--a word, a tone, a mere nothing. Men are so made; they resist a serious argument, but they yield to a tender look.""I understand! a little touch to make my Favori leap the barrier,"said Natalie, ****** the gesture of striking a horse with her whip.
"My darling! I ask nothing that resembles seduction. You and I have sentiments of the old Castilian honor which will never permit us to pass certain limits. Count Paul shall know our situation.""What situation?"
"You would not understand it. But I tell you now that if after seeing you in all your glory his look betrays the slightest hesitation,--and I shall watch him,--on that instant I shall break off the marriage; Iwill liquidate my property, leave Bordeaux, and go to Douai, to be near the Claes. Madame Claes is our relation through the Temnincks.
Then I'll marry you to a peer of France, and take refuge in a convent myself, that I may give up to you my whole fortune.""Mother, what am I to do to prevent such misfortunes?" cried Natalie.
"I have never seen you so beautiful as you are now," replied her mother. "Be a little coquettish, and all is well."Madame Evangelista left Natalie to her thoughts, and went to arrange her own toilet in such a way that would bear comparison with that of her daughter. If Natalie ought to make herself attractive to Paul she ought, none the less, to inflame the ardor of her champion Solonet.
The mother and daughter were therefore under arms when Paul arrived, bearing the bouquet which for the last few months he had daily offered to his love. All three conversed pleasantly while awaiting the arrival of the notaries.
This day brought to Paul the first skirmish of that long and wearisome warfare called marriage. It is therefore necessary to state the forces on both sides, the position of the belligerent bodies, and the ground on which they are about to manoeuvre.
To maintain a struggle, the importance of which had wholly escaped him, Paul's only auxiliary was the old notary, Mathias. Both were about to be confronted, unaware and defenceless, by a most unexpected circumstance; to be pressed by an enemy whose strategy was planned, and driven to decide on a course without having time to reflect upon it. Where is the man who would not have succumbed, even though assisted by Cujas and Barthole? How should he look for deceit and treachery where all seemed compliant and natural? What could old Mathias do alone against Madame Evangelista, against Solonet, against Natalie, especially when a client in love goes over to the enemy as soon as the rising conflict threatens his happiness? Already Paul was damaging his cause by ****** the customary lover's speeches, to which his passion gave excessive value in the ears of Madame Evangelista, whose object it was to drive him to commit himself.
The matrimonial condottieri now about to fight for their clients, whose personal powers were to be so vitally important in this solemn encounter, the two notaries, on short, represent individually the old and the new systems,--old fashioned notarial usage, and the new-fangled modern procedure.