THE PINK OF FASHION
Though the foregoing conversation affected the Comte de Manerville somewhat, he made it a point of duty to carry out his intentions, and he returned to Bordeaux during the winter of the year 1821.
The expenses he incurred in restoring and furnishing his family mansion sustained the reputation for elegance which had preceded him.
Introduced through his former connections to the royalist society of Bordeaux, to which he belonged as much by his personal opinions as by his name and fortune, he soon obtained a fashionable pre-eminence. His knowledge of life, his manners, his Parisian acquirements enchanted the Faubourg Saint-Germain of Bordeaux. An old marquise made use of a term formerly in vogue at court to express the flowery beauty of the fops and beaux of the olden time, whose language and demeanor were social laws: she called him "the pink of fashion." The liberal clique caught up the word and used it satirically as a nickname, while the royalist party continued to employ it in good faith.
Paul de Manerville acquitted himself gloriously of the obligations imposed by his flowery title. It happened to him, as to many a mediocre actor, that the day when the public granted him their full attention he became, one may almost say, superior. Feeling at his ease, he displayed the fine qualities which accompanied his defects.
His wit had nothing sharp or bitter in it; his manners were not supercilious; his intercourse with women expressed the respect they like,--it was neither too deferential, nor too familiar; his foppery went no farther than a care for his personal appearance which made him agreeable; he showed consideration for rank; he allowed young men a certain *******, to which his Parisian experience assigned due limits;though skilful with sword and pistol, he was noted for a feminine gentleness for which others were grateful. His medium height and plumpness (which had not yet increased into obesity, an obstacle to personal elegance) did not prevent his outer man from playing the part of a Bordelais Brummell. A white skin tinged with the hues of health, handsome hands and feet, blue eyes with long lashes, black hair, graceful motions, a chest voice which kept to its middle tones and vibrated in the listener's heart, harmonized well with his sobriquet.
Paul was indeed that delicate flower which needs such careful culture, the qualities of which display themselves only in a moist and suitable soil,--a flower which rough treatment dwarfs, which the hot sun burns, and a frost lays low. He was one of those men made to receive happiness, rather than to give it; who have something of the woman in their nature, wishing to be divined, understood, encouraged; in short, a man to whom conjugal love ought to come as a providence.
If such a character creates difficulties in private life, it is gracious and full of attraction for the world. Consequently, Paul had great success in the narrow social circle of the provinces, where his mind, always, so to speak, in half-tints, was better appreciated than in Paris.
The arrangement of his house and the restoration of the chateau de Lanstrac, where he introduced the comfort and luxury of an English country-house, absorbed the capital saved by the notary during the preceding six years. Reduced now to his strict income of forty-odd thousand a year, he thought himself wise and prudent in so regulating his household as not to exceed it.
After publicly exhibiting his equipages, entertaining the most distinguished young men of the place, and giving various hunting parties on the estate at Lanstrac, Paul saw very plainly that provincial life would never do without marriage. Too young to employ his time in miserly occupations, or in trying to interest himself in the speculative improvements in which provincials sooner or later engage (compelled thereto by the necessity of establishing their children), he soon felt the need of that variety of distractions a habit of which becomes at last the very life of a Parisian. A name to preserve, property to transmit to heirs, social relations to be created by a household where the principal families of the neighborhood could assemble, and a weariness of all irregular connections, were not, however, the determining reasons of his matrimonial desires. From the time he first returned to the provinces he had been secretly in love with the queen of Bordeaux, the great beauty, Mademoiselle Evangelista.
About the beginning of the century, a rich Spaniard, named Evangelista, established himself in Bordeaux, where his letters of recommendation, as well as his large fortune, gave him an entrance to the salons of the nobility. His wife contributed greatly to maintain him in the good graces of an aristocracy which may perhaps have adopted him in the first instance merely to pique the society of the class below them. Madame Evangelista, who belonged to the Casa-Reale, an illustrious family of Spain, was a Creole, and, like all women served by slaves, she lived as a great lady, knew nothing of the value of money, repressed no whims, even the most expensive, finding them ever satisfied by an adoring husband who generously concealed from her knowledge the running-gear of the financial machine. Happy in finding her pleased with Bordeaux, where his interests obliged him to live, the Spaniard bought a house, set up a household, received in much style, and gave many proofs of possessing a fine taste in all things.
Thus, from 1800 to 1812, Monsieur and Madame Evangelista were objects of great interest to the community of Bordeaux.