A short distance from the Chateau rose a tower of rough masonry-- crenellated on top, and loopholed on the sides--which had been built as a place of defence and refuge during the Indian wars of the preceding century. Often had the prowling bands of Iroquois turned away baffled and dismayed at the sight of the little fortalice surmounted by a culverin or two, which used to give the alarm of invasion to the colonists on the slopes of Bourg Royal, and to the dwellers along the wild banks of the Montmorency.
The tower was now disused and partly dilapidated, but many wonderful tales existed among the neighboring habitans of a secret passage that communicated with the vaults of the Chateau; but no one had ever seen the passage--still less been bold enough to explore it had they found it, for it was guarded by a loup-garou that was the terror of children, old and young, as they crowded close together round the blazing fire on winter nights, and repeated old legends of Brittany and Normandy, altered to fit the wild scenes of the New World.
Colonel Philibert and Master Pothier rode up the broad avenue that led to the Chateau, and halted at the main gate--set in a lofty hedge of evergreens cut into fantastic shapes, after the fashion of the Luxembourg. Within the gate a vast and glowing garden was seen-- all squares, circles, and polygons. The beds were laden with flowers shedding delicious odors on the morning air as it floated by, while the ear was soothed by the hum of bees and the songs of birds revelling in the bright sunshine.
Above the hedge appeared the tops of heavily-laden fruit-trees brought from France and planted by Talon--cherries red as the lips of Breton maidens, plums of Gascony, Norman apples, with pears from the glorious valleys of the Rhone. The bending branches were just transmuting their green unripeness into scarlet, gold, and purple-- the imperial colors of Nature when crowned for the festival of autumn.
A lofty dove-cote, surmounted by a glittering vane, turning and flashing with every shift of the wind, stood near the Chateau.
It was the home of a whole colony of snow-white pigeons, which fluttered in and out of it, wheeled in circles round the tall chimney-stacks, or strutted, cooing and bowing together, on the high roof of the Chateau, a picture of innocence and happiness.
But neither happiness nor innocence was suggested by the look of the Chateau itself, as it stood bathed in bright sunshine. Its great doors were close-shut in the face of all the beauty of the world without. Its mullioned windows, that should have stood wide open to let in the radiance and freshness of morning, were closely blinded, like eyes wickedly shut against God's light that beat upon them, vainly seeking entrance.
Outside all was still: the song of birds and the rustle of leaves alone met the ear. Neither man nor beast was stirring to challenge Colonel Philibert's approach, but long ere he reached the door of the Chateau, a din of voices within, a wild medley of shouts, song, and laughter, a clatter of wine-cups, and pealing notes of violins struck him with amazement and disgust. He distinguished drunken voices singing snatches of bacchanalian songs, while now and then stentorian mouths called for fresh brimmers, and new toasts were drunk with uproarious applause.
The Chateau seemed a very pandemonium of riot and revelry, that prolonged the night into the day, and defied the very order of nature by its audacious disregard of all decency of time, place, and circumstance.