At four o'clock, Joseph crossed the open space which separated the Rouget house from the Hochon house,--a sort of avenue of weakly lindens, two hundred feet long and of the same width as the rue Grande Narette. When the nephew arrived, Kouski, in polished boots, black cloth trousers, white waistcoat, and black coat, announced him. The table was set in the large hall, and Joseph, who easily distinguished his uncle, went up to him, kissed him, and bowed to Flore and Max.
"We have not seen each other since I came into the world, my dear uncle," said the painter gayly; "but better late than never."
"You are very welcome, my friend," said the old man, looking at his nephew in a dull way.
"Madame," Joseph said to Flore with an artist's vivacity, "this morning I was envying my uncle the pleasure he enjoys in being able to admire you every day."
"Isn't she beautiful?" said the old man, whose dim eyes began to shine.
"Beautiful enough to be the model of a great painter."
"Nephew," said Rouget, whose elbow Flore was nudging, "this is Monsieur Maxence Gilet; a man who served the Emperor, like your brother, in the Imperial Guard."
Joseph rose, and bowed.
"Your brother was in the dragoons, I believe," said Maxence. "I was only a dust-trotter."
"On foot or on horseback," said Flore, "you both of you risked your skins."
Joseph took note of Max quite as much as Max took note of Joseph. Max, who got his clothes from Paris, was dressed as the young dandies of that day dressed themselves. A pair of light-blue cloth trousers, made with very full plaits, covered his feet so that only the toes and the spurs of his boots were seen. His waist was pinched in by a white waistcoat with chased gold buttons, which was laced behind to serve as a belt. The waistcoat, buttoned to the throat, showed off his broad chest, and a black satin stock obliged him to hold his head high, in soldierly fashion. A handsome gold chain hung from a waistcoat pocket, in which the outline of a flat watch was barely seen. He was twisting a watch-key of the kind called a "criquet," which Breguet had lately invented.
"The fellow is fine-looking," thought Joseph, admiring with a painter's eye the eager face, the air of strength, and the intellectual gray eyes which Max had inherited from his father, the noble. "My uncle must be a fearful bore, and that handsome girl takes her compensations. It is a triangular household; I see that."
At this instant, Baruch and Francois entered.
"Have you been to see the tower of Issoudun?" Flore asked Joseph. "No? then if you would like to take a little walk before dinner, which will not be served for an hour, we will show you the great curiosity of the town."
"Gladly," said the artist, quite incapable of seeing the slightest impropriety in so doing.
While Flore went to put on her bonnet, gloves, and cashmere shawl, Joseph suddenly jumped up, as if an enchanter had touched him with his wand, to look at the pictures.
"Ah! you have pictures, indeed, uncle!" he said, examining the one that had caught his eye.
"Yes," answered the old man. "They came to us from the Descoings, who bought them during the Revolution, when the convents and churches in Berry were dismantled."
Joseph was not listening; he was lost in admiration of the pictures.
"Magnificent!" he cried. "Oh! what painting! that fellow didn't spoil his canvas. Dear, dear! better and better, as it is at Nicolet's--"
"There are seven or eight very large ones up in the garret, which were kept on account of the frames," said Gilet.
"Let me see them!" cried the artist; and Max took him upstairs.
Joseph came down wildly enthusiastic. Max whispered a word to the Rabouilleuse, who took the old man into the embrasure of a window, where Joseph heard her say in a low voice, but still so that he could hear the words:--
"Your nephew is a painter; you don't care for those pictures; be kind, and give them to him."
"It seems," said Jean-Jacques, leaning on Flore's arm to reach the place were Joseph was standing in ecstasy before an Albano, "--it seems that you are a painter--"
"Only a 'rapin,'" said Joseph.
"What may that be?" asked Flore.
"A beginner," replied Joseph.
"Well," continued Jean-Jacques, "if these pictures can be of any use to you in your business, I give them to you,--but without the frames.
Oh! the frames are gilt, and besides, they are very funny; I will put--"
"Well done, uncle!" cried Joseph, enchanted; "I'll make you copies of the same dimensions, which you can put into the frames."
"But that will take your time, and you will want canvas and colors," said Flore. "You will have to spend money. Come, Pere Rouget, offer your nephew a hundred francs for each copy; here are twenty-seven pictures, and I think there are eleven very big ones in the garret which ought to cost double,--call the whole four thousand francs. Oh, yes," she went on, turning to Joseph, "your uncle can well afford to pay you four thousand francs for ****** the copies, since he keeps the frames--but bless me! you'll want frames; and they say frames cost more than pictures; there's more gold on them. Answer, monsieur," she continued, shaking the old man's arm. "Hein? it isn't dear; your nephew will take four thousand francs for new pictures in the place of the old ones. It is," she whispered in his ear, "a very good way to give him four thousand francs; he doesn't look to me very flush--"
"Well, nephew, I will pay you four thousand francs for the copies--"
"No, no!" said the honest Joseph; "four thousand francs and the pictures, that's too much; the pictures, don't you see, are valuable--"
"Accept, ******ton!" said Flore; "he is your uncle, you know."
"Very good, I accept," said Joseph, bewildered by the luck that had befallen him; for he had recognized a Perugino.