书城公版The Two Brothers
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第74章 CHAPTER XII(2)

The result was that the artist beamed with satisfaction as he went out of the house with the Rabouilleuse on his arm, all of which helped Maxence's plans immensely. Neither Flore, nor Rouget, nor Max, nor indeed any one in Issoudun knew the value of the pictures, and the crafty Max thought he had bought Flore's triumph for a song, as she paraded triumphantly before the eyes of the astonished town, leaning on the arm of her master's nephew, and evidently on the best of terms with him. People flocked to their doors to see the crab-girl's triumph over the family. This astounding event made the sensation on which Max counted; so that when they all returned at five o'clock, nothing was talked of in every household but the cordial understanding between Max and Flore and the nephew of old Rouget. The incident of the pictures and the four thousand francs circulated already. The dinner, at which Lousteau, one of the court judges, and the Mayor of Issoudun were present, was splendid. It was one of those provincial dinners lasting five hours. The most exquisite wines enlivened the conversation. By nine o'clock, at dessert, the painter, seated opposite to his uncle, and between Flore and Max, had fraternized with the soldier, and thought him the best fellow on earth. Joseph returned home at eleven o'clock somewhat tipsy. As to old Rouget, Kouski had carried him to his bed dead-drunk; he had eaten as though he were an actor from foreign parts, and had soaked up the wine like the sands of the desert.

"Well," said Max when he was alone with Flore, "isn't this better than ****** faces at them? The Bridaus are well received, they get small presents, and are smothered with attentions, and the end of it is they will sing our praises; they will go away satisfied and leave us in peace. To-morrow morning you and I and Kouski will take down all those pictures and send them over to the painter, so that he shall see them when he wakes up. We will put the frames in the garret, and cover the walls with one of those varnished papers which represent scenes from Telemachus, such as I have seen at Monsieur Mouilleron's."

"Oh, that will be much prettier!" said Flore.

On the morrow, Joseph did not wake up till midday. From his bed he saw the pictures, which had been brought in while he was asleep, leaning one against another on the opposite wall. While he examined them anew, recognizing each masterpiece, studying the manner of each painter, and searching for the signature, his mother had gone to see and thank her brother, urged thereto by old Hochon, who, having heard of the follies the painter had committed the night before, almost despaired of the Bridau cause.

"Your adversaries have the cunning of foxes," he said to Agathe. "In all my days I never saw a man carry things with such a high hand as that soldier; they say war educates young men! Joseph has let himself be fooled. They have shut his mouth with wine, and those miserable pictures, and four thousand francs! Your artist hasn't cost Maxence much!"

The long-headed old man instructed Madame Bridau carefully as to the line of conduct she ought to pursue,--advising her to enter into Maxence's ideas and cajole Flore, so as to set up a sort of intimacy with her, and thus obtain a few moments' interview with Jean-Jacques alone. Madame Bridau was very warmly received by her brother, to whom Flore had taught his lesson. The old man was in bed, quite ill from the excesses of the night before. As Agathe, under the circumstances, could scarcely begin at once to speak of family matters, Max thought it proper and magnanimous to leave the brother and sister alone together. The calculation was a good one. Poor Agathe found her brother so ill that she would not deprive him of Madame Brazier's care.

"Besides," she said to the old bachelor, "I wish to know a person to whom I am grateful for the happiness of my brother."

These words gave evident pleasure to the old man, who rang for Madame Flore. Flore, as we may well believe, was not far off. The female antagonists bowed to each other. The Rabouilleuse showed the most servile attentions and the utmost tenderness to her master; fancied his head was too low, beat up the pillows, and took care of him like a bride of yesterday. The poor creature received it with a rush of feeling.

"We owe you much gratitude, mademoiselle," said Agathe, "for the proofs of attachment you have so long given to my brother, and for the way in which you watch over his happiness."

"That is true, my dear Agathe," said the old man; "she has taught me what happiness is; she is a woman of excellent qualities."

"And therefore, my dear brother, you ought to have recompensed Mademoiselle by ****** her your wife. Yes! I am too sincere in my religion not to wish to see you obey the precepts of the church. You would each be more tranquil in mind if you were not at variance with morality and the laws. I have come here, dear brother, to ask for help in my affliction; but do not suppose that we wish to make any remonstrance as to the manner in which you may dispose of your property--"

"Madame," said Flore, "we know how unjust your father was to you.

Monsieur, here, can tell you," she went on, looking fixedly at her victim, "that the only quarrels we have ever had were about you. I have always told him that he owes you part of the fortune he received from his father, and your father, my benefactor,--for he was my benefactor," she added in a tearful voice; "I shall ever remember him!

But your brother, madame, has listened to reason--"

"Yes," said the old man, "when I make my will you shall not be forgotten."

"Don't talk of these things, my dear brother; you do not yet know my nature."

After such a beginning, it is easy to imagine how the visit went on.

Rouget invited his sister to dinner on the next day but one.